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Definitions of Bulldog Simplicity from Apple and Renoir

Look for ways to spice up your personal branding materials

Last week, I took my family to the Late Renoir exhibit at the Philadelphia Museum of Art and smiled at Renoir’s description of his work as “simplicity bordering on severity,”  thinking that the notion of Bulldog Simplicity has been around for a long time.  Then yesterday, I was cleaning out some files and came across an Apple ad in the New York Times from September 29, 1997.  A former co-worker had sent it to me with a note, “I thought of you.”

As I’ve struggled with communicating a brand that carries with it a certain ability to turn off some prospective clients, both the Renoir quote and this ad seem to capture a certain attitude I’ve carried throughout my career.  Perhaps more important, the ad feels like a “call to action” to be remarkable.   And to be aggressive about communicating what differentiates you from the pack.

I’m not going to try to recreate the layout, but here is the copy (the italics are mine):

To the crazy ones.

Here’s to the crazy ones.  The misfits. The rebels.  The troublemakers.  The round pegs in the square holes.  The ones who see things differently.

They’re not fond of rules.  And they have no respect for the status quo.

You can praise them, disagree with them, quote them, disbelieve them, glorify them or vilify them.  About the only thing you can’t do is ignore them.

Because they change things.  They invent.  They imagine.  They heal.  They explore.  They create.  They inspire.  They push the human race forward.

Maybe they have to be crazy.  How else can you stare at an empty canvas and see a work of art?  Or sit in silence and hear a song that’s never been written.  Or gaze at a red planet and see a laboratory on wheels?

We make tools for these kinds of people.  Because while some see them as the crazy ones, we see genius.

And it’s the people who are crazy enough to think they can change the world, who actually do.

The point is, I see a lot of LinkedIn profiles, a lot of blogs, and a lot of websites that fail to capture — or celebrate — what makes someone special.  Perhaps it is fear that being different as a first impression will cost them chances with a new client or employer.  I have to admit I’m guilty of that at times, and I’m spending time taking another look at some of my materials.

When was the last time you revisited your public persona?  Are you communicating the person you are or you think people want you to be?

Side note:  If you feel you need help beefing up your branding materials, please drop me a note at bulldogsimplicity@gmail.com or go to this page on my website.

Two simple tips for practicing simplicity

Twitter is the new Mark Twain.

You’ll recall Mark Twain apologizing for the length of a letter, saying he’d have made it shorter if he had had more time.

Well, I recently started Tweeting as part of my new Consultant Launch Pad site (if you’re interested in following me, I’m @consultantlaunc) and it’s helping me think more about my messages.  I’ve found that 140 characters isn’t all that much to express an idea (even if you’re just tweeting a quote or a link to another article or blog post), but if you want your message to get forwarded, you need to take that character count down below 120.  That’s because a “retweet” also includes the name of the person forwarding it and that 120 characters needs to be even shorter if you want to give them space to make a short comment.

You’ll get a pretty good idea of how good or bad you are at communicating your message succinctly by the number of retweets and/or the number of people following you.  One way to practice is to Follow a number of people and enter into a dialogue with them.

Elevator speeches become "the 118"

Faster elevators now give you less than two minutes to sell yourself

Tip No. 2 has to do with a new book out on the elevator speech called The Mirror Test by Jeffrey Hayzlett, Kodak’s former chief marketing officer.  For now, I’ll point you toward an interview with and a mini-profile of him (they’re both short) but think his concept of what he calls “the 118” is pretty actionable.

Here’s an excerpt: “The 118 comes from the 118 seconds you actually have to pitch: 8 seconds to hook me and up to 110 seconds to drive it home — less than two minutes with only seconds to spare. The first eight seconds is the length of time the average human can concentrate on something and not lose some focus. It is also the length of time of one of the toughest rides in the world: a qualified ride in professional bull riding. In these first eight seconds, you must be compelling, strong, and focused to be successful. You must hold on as one of the meanest, toughest animals in the world tries to throw you off – just like any good prospect will. Make it those 8 seconds, and I’ll give you 110 more to drive your message home with no bull. But if you have not sold me at the end of the 118, I will start to tune out. At that point, we are moving forward to a sale or not.”

To summarize today’s two tips for a Twitter world:  2 Simplicity tips: Keep your Tweeting <120 charact and buy Jeffrey Hayzlett’s The Mirror Test.

And after attaching a TinyURL of this post, that’s 120 characters.  On the nose.

Rats! to taking a conservative approach to branding

In the midst of some new projects and designing a new website that has a real chance to impact people’s lives, I’ve gotten to thinking about whether my personal-branding materials go far enough to explain what makes me different, whether I’m adequately reinforcing the “bulldog” brand on my personal website and elsewhere.

I’m not sure I’m being in-your-face enough, because that’s one of the things that makes me different from other communicators.  So I’m taking a second look at my website to get away from trying to make my message appeal to everyone who visits my page (or my LinkedIn profile) and appeal to the people who are actually looking for what I have to sell.

It was with that mindset that I came across Dan Pink’s posting from earlier this week and realized that this ad for the DC Metro  truly reflects the “bulldog” mentality that I need to more fully embrace…

As way of background, the Washington, D.C. subway system bans eating on its trains.  There are many different ways you can reinforce this message, but this is about as visceral as it gets.

Pink (who wrote Drive and A Whole New Mind) notes that he likes to highlight advertising that is emotionally intelligent (i.e., it either encourages empathy on the part of the viewer or demonstrates empathy for his or her situation), this one falls into the category of advertising that just “shocks and awe(s) us into thinking — and occasionally into action.”

I view it from a slightly different perspective, as someone who has embraced a goal of identifying ways that we can “subtract the obvious and add the meaningful” in business and our personal lives.  I can imagine DC Metro officials listening to their agency pitch this ad and saying, “you want to use a picture of what?” in our new campaign.

It’s bold.  It eliminates the obvious (statistics or a reminder that there are rules against eating on the trains) and gets right to the meaningful.

We need more of that in our writing — visceral images that make a clear and compelling point.

‘Creative confidence’ trumps historical indicators of future career success

Photo: Associated Press

As one group of students prepare to leave college and another batch of high-school seniors prepare to take their place, the importance of technical knowledge takes center stage.  Whether you’re talking about undergraduate or post-grad admission offices or potential employers, GPAs and test scores that demonstrate students’ abilities to get the one “right” answer are seen as the primary determinant of future potential.

David Kelley — the IDEO chairman, not the legendary creator of great TV dramas — recently energized the Stanford d.school during the opening of the design school’s new building by arguing that while technical knowledge has its place, it is far more important to teach our future leaders how to work on solving challenging problems where nobody knows the answer.  As Bob Sutton, a Stanford d.school professor who attended the speech explains it, the Stanford d.school teaches creative confidence — “the ability to keep pushing forward, observing the world and the people in it, identifying unmet needs, brainstorming solutions, and trying to develop prototypes that work and failing forward through the disconcerting process.”   He went on to say that the d.school process — which I discussed in a January post on its publication of the Bootcamp Bootleg — encourages people to “have the energy and will to keep pushing forward, to be undaunted when ideas don’t work, to keep trying new ideas, and even when the deadline for the project comes and they do not have  a decent solution, to believe that if they just had another few days, they would have come up with a great solution.”

Kelley has added a great personal-branding phrase to our lexicon.  Even without the benefit of a Stanford d.school education, I think there are a lot of people with have struggled to describe a similar skill set on a resume or interview without the benefit of the “creative confidence” phrase.   It’s a skill that many displaced corporate executives are using as they look at consulting or 1099 contract work, whether they use the phrase in the sales process or not.

But Kelley’s Not Alone In This

Yale’s Dean of Undergraduate Admissions Jeff Brenzel imagined what he’d say if asked to speak to this year’s class of graduating seniors in a posting on the Huffington Post.  He also speaks of looking beyond the GPA and the job that awaits and judging oneself on a different set of criteria that mirrors this concept of creative confidence:

“What matters, and this is the heart of what I want to say today, is not how I might assess what you have done, or how your professors graded you, or what your friends and family might say, or even how a professional school or employer is going to view you, but rather how you would now evaluate yourself.

I wonder if you have thought to do this as yet, to measure yourself by standards that you would have to justify and explain, not to us, but only to the man or woman in the mirror. Not only are you the only one in a position to make a full and candid assessment, but you are the one to whom the assessment ultimately matters.”

He goes on to list some questions that might help in that self-assessment; most focus on the intangible.  It’s a right-brain approach, which as Daniel Pink and others have argued in recent years is taking on increasing importance over the fact-based left-brain emphasis that has driven business for many decades.

All this resonated with me because I believe creative confidence is a more elegant way — with a bit more structure — of saying Bulldog Simplicity.  I believe schools and corporations both need to spend more time focusing on developing creative confidence.  And for those who have it, they need to spend more time documenting it as a skill and how it enables them to make a difference in their companies’ or clients’ success.

Taglines: Is yours a home run?

Tyler chose his college on Thursday.  He’s headed to Washington, D.C. this fall to American University and its terrific film school.

At the risk of oversimplifying, American has a great tagline — Media That Matters — and a group of passionate people who believe the mantra and communicate it consistently.

From the academic counselor to the professors to whom he spoke to the School of Communication’s materials, the message is consistent and to the point.  Had I had my work hat on, I’ll bet I could have stopped anyone involved in the Film and Media Arts department and heard the theme (or a tight variation on it). 

Tyler wears his heart on his sleeve…and his eyes don’t lie, and both his mother and I knew the moment he made his decision.  It was when he heard “Media That Matters.”  He wants to make a difference.  He wants to make documentaries and touch people’s lives.  His path could change over the next four years, but I kinda doubt it.  The medium could change — film, Internet, or something else — but the direction and passion won’t.

As good as the tagline is, American backs it up with strong supporting messages…a great story, if you will.  Where better than Washington if you want to get involved in effecting change? If you’re interested in documentaries and environmental film, we have Centers devoted to those disciplines and we work closely with National Geographic, Discovery, the Smithsonian, and so on.  We have professors who work in the business and are looking for passionate students looking for experience.  You get the idea.

Media That Matters.  Three words that resonate with a kid like Tyler.  Three words that tell a story.  That ignite passion.  That change lives.

What’s the tagline for your business or your job search?   Is it simple enough?  Does it tell your target audience who you are and what you do?  Do you support it with all your other marketing materials, from your resume or company fact sheet and collateral to your LinkedIn profile?  And perhaps most important, does your tagline tell the person who’s reading it how you’re going to “scratch their itch” (i.e., solve their problem or address their needs)?

If it doesn’t, it won’t matter how terrific you actually are.  You just may finish second to someone who gets it right.

Embrace your daemon: Write the next chapter of your life story

A few years back, I led a change to the way MBNA America — at the time the world’s largest affinity credit-card lender — negotiated with its partners (and ultimately with each other inside the bank).  At the heart of it, we learned to prepare more effectively and taught people that the best way to get what they wanted was to help the other side get what it wanted (for both internal and external stakeholders).  It’s my primary accomplishment…and a key component of my professional narrative. 

Since being laid off 15 months ago, I’ve focused on consulting while still looking for a challenging full-time position.  The reality is the job market is awful and there’s a growing trend toward building a portfolio career of 1099/consulting projects.  I’ve been helping companies sharpen their brand and strategic messages, primarily through the creation and/or refining of value propositions, RFP responses, and annual reports.  But I keep running into executive-level job seekers — many of them terrific, talented former peers — who are worried that their biggest success is behind them…and feeling their self-esteem slipping away in the absence of traction in their own job searches.

I invite you to watch this video in its entirety — it’s about 20 minutes and talks about dealing with these kinds of concerns, about wondering whether your best is behind you and about channeling your creativity in a positive way.

I’ve long believed that one thing that distinguishes successful people is their ability to consistently “show up.”  I also generally believe in the “daemons” that Elizabeth Gilbert describes.  I do believe you need to put distance between yourself and your creativity — partly because believing in daemons makes it difficult to give yourself  too much credit) and partly because I don’t want to run the risk of alienating them.

Over at ChrisBrogan.com, Chris is talking about the importance of story in people’s lives, urging readers to read Donald Miller’s new book, A Million Miles in a Thousand Years.  For me, I harken back to A Chorus Line: “I’m a dancer…And a dancer dances.”  The foundation of my story is my ability to communicate quickly and clearly (my ongoing challenges to simplify my own personal brand notwithstanding).  Blogging — something I never had the time to do before leaving the bank — enables me to do what I love…and the research and effort to generate ideas helps me work through my angst.  On my professional side, it can be challenging (but gratifying) to create for someone else, to capture their true voice and deliver something that the client can “hear” and feel as if they could have written or said it.  And yet the thing that led me away from business journalism in the first place was my sense that I could be just as effective in business as the people whose lives I was chronicling.

But how do you keep delivering?  How do you surpass your past successes? If I didn’t appreciate one thing before the past 15 months, I certainly do now:  Creativity takes order and process.  You need to eliminate distractions to give the “daemon” room to enter your consciousness.

There are times when I miss the hermetically sealed corporate offices where I used to work.  As I sit at home today, it’s 80 degrees, sunny, with a nice breeze flowing through my home office.  I’m resisting the urge to stop typing to go shoot some baskets or kick a soccer ball with my kids because I have deliverables.

The truth is, I probably will not resist those urges.  But that break will enable me to create something better this afternoon because I freed my mind and let the daemon in.  I now keep a little notebook to write down ideas when they hit.  In my current situation, I don’t sit through long, pointless meetings and I can try to turn neat ideas into business opportunities (although that poses its own sort of distraction away from the dual goals of feeding my family and doing something meaningful).

I have always worked in a world of real-life deadlines, budgets, and conflicting goals.  I’ve always been successful at balancing multiple priorities and executing on great ideas.  But life is different today than it was 15 months ago and I have a much greater respect for the process.  I thank Elizabeth Gilbert for reminding me that my greatest successes are not behind me…that the path to even greater ones requires me to keep showing up, respecting my daemon, and seeing them when I see them.

How about you?  How do you maintain your confidence that your next great success is just around the corner?

Nike’s Tiger Ad: Simplicity with an edge

I just finished The Art of Simplicity by John Maeda, who boils simplicity down to being about “subtracting the obvious and adding the meaningful.” 

Nike “relaunched” its sponsorship of Tiger Woods today with an ad that subtracts any mention of its footwear or clothing, color video, music, or sight of Tiger hitting one of his extraordinary golf shots.  It instead uses a single zoom shot of Tiger looking incredibly sad with background audio of his dead father talking about responsibility.

So there’s no question the ad is simple.  But is it effective?  For those who haven’t seen it yet,  Tiger’s dad (who likely wasn’t talking about his son’s sexual indiscretions when he was recorded) is heard saying, “Tiger, I am more prone to be inquisitive, to promote discussion. I want to find out what your thinking was. I want to find out what your feelings are. And did you learn anything?”

I’d like to know Tiger’s answer to the question.  Based on his decision to approve using his father’s voice in this way I’d say no.  Did Nike achieve its goals?  Everyone’s talking about the ad, so the answer there is probably yes.  And it’s consistent with some of its previous ads focused on the personal branding of their spokespersons.  Remember Charles Barkley and his “I am not a role model” ad?  That was Nike too.

Tiger said during a press conference on Monday that he was just looking forward to getting back and playing golf.  This ad undermines that goal and leaves many thinking it’s all about the press coverage for Tiger and Nike.

The ad is simple.  The motives are not.  I doubt many of Nike’s target audience will change their buying habits as a result of this ad.  But the consistency of the brand message and subtly reminding people they didn’t drop Tiger may be enough. Not that it matters all that much, but I don’t see this ad as helping Tiger’s efforts to restore his brand, unless you want to view it as further penance.

Getting back to John Maeda and his Laws of Simplicity, I don’t believe Tiger and Nike satisfied the second half of his core law.  The obvious was subtracted, but very little meaning was added.  Perhaps a simple shot of Tiger juggling a golf ball at the end of a club, apologizing to fans and saying he’s back and committed to re-earning the trust of his family and fans would have been more appropriate…and more consistent with the Just Do It brand.